Spirit of the Village - Oliver Klink


Entering a village is stepping back in time. Narrow streets, sometimes paved, most of the time dirt paths. Un-numbered homes are the norm, as everybody knows each other. Streets wind in un-orderly fashion over streams of running water, sometimes fresh often as open sewage. Early morning feels like a metronome wakes up. Few words are exchange among neighbors, prayers and chores get on the way, people leave to go farming. Late afternoon, the center of the village gets busy as daily stories are shared over many types of beverages. People retreat to their home when darkness approaches. Description might be symbolic but the feel is pretty accurate.

My interest was to capture the inner belly of the Village, what happens inside people’ homes, how they think, how they feel. Spirit of the Village is changing, mainly affected by the modern world innovation. Rapid changes often comes at the cost of old-world customs, rituals and social relationships. This is especially true in Asia, where a search for new opportunities in urban areas has led to a mass exodus of the middle generation in rural communities. Those left behind are balancing a growing tension between the cultural diversity of the past and the homogenized present.

Villages are populated by those on opposite ends of the generational divide — grandparents and children. The net result often creates a situation where those desperately looking to preserve tradition are caring for those most-willing to embrace change.

From a western perspective it may look like time stands still in the Village, and it some ways it does, but below the surface there exists a struggle between old and new, tradition and modernity that ultimately must come into balance as villagers hold onto their Spirit while coping with the reality of a modern world.


Exhibitions & Awards

  • Black and White Photographer of the Year - Dodho Magazine (2018)

  • Fiesta del Artes (2018)

  • Critical Mass Top 50 Exhibit (2017)

  • "ClampArt" exhibit Oliver Klink's work at AIPAD (2017)

  • Exhibit in Buenos Aires (2017)

  • "Consequences" Exhibited at BWGallerist (2017)

  • "Ancient Farming" receives People Choice Award by BW Magazine (2017)

  • "God's Rays" awarded by Black and White Magazine (2016)

  • "Ancient Farming" receives 2nd place at Spider Awards (2017)

  • "Ancient Farming" receives 2nd place at the Black and White Spider Awards (2017)

  • "Consequences" received honorable mention at Monovisions Award (2017)

  • Exhibit at Dickerman Gallery (2017)

  • Rfotofolio selects Oliver Klink as fine artist (2017)

  • Critical Mass Top 50 (2016)

  • "Herding Instinct" Selected as promo Image for Critical Mass (2016)

  • Daily Mail publishes "Consequences" Project, Christopher Wayne (2017)

  • My ModernMet publishes "Consequences" Project, Jessica Steward (2017)

  • People's Choice Award, BW Magazine (2016)

Limited Editions: 13x20" (15), 20x30" (7), 34x50" (3)
Contact Oliver Klink for additional information

Selected Prints available at:


247 West 29th Street, Ground Floor

New York City, 10001

+1 646.230.0020


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God’s Rays

In Myanmar, parents want to give a good life and good education to their children. As life is truly harsh, some parents opt to give their children up for adoption to monasteries, where they become monks. Their life then becomes dedicated to Buddhism with daily prayers, food gathering, and focus on respecting others. As an outsider, I felt that their life is like a Swiss clock, regulated, with a heart beat that never stops and never surprises. The murals were critically damaged during the 2016 earthquake. Temple has been closed since.